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Course module: 992123-M-6
992123-M-6
Performance: Ritual, Art and the Body in digital culture
Course info
Course module992123-M-6
Credits (ECTS)6
CategoryMA (Master)
Course typeCourse
Language of instructionEnglish
Offered byTilburg University; Tilburg School of Humanities and Digital Sciences; TSH: Department of Culture Studies; Culture Studies;
Is part of
M Culture Studies
Lecturer(s)
Lecturer
dr. M.J.M. Hoondert
Other course modules lecturer
Lecturer
dr. A. Nugteren
Other course modules lecturer
Academic year2020
Starting block
BLOK 3
Course mode
Full-time
RemarksCaution: this information is subject to change. With less than 5 participants the course will be cancelled.
Registration openfrom 20/01/2021 up to and including 20/08/2021
Aims

Knowledge: after following this course …
  1. The student has general knowledge of and sharp insight into the relations between ritual, the body, the senses, performative arts and religion.
  2. The student knows the theories and most relevant authors in performance studies as presented in the handbook by Richard Schechner.
  3. The student knows the concepts regarding senses, body and embodiment as used in (sensual) anthropology, religious studies and ritual studies.
 
Skills: after following this course …
  1. The student is able to apply knowledge and insights to new case studies and report on them in a suitably academic style.
  2. The student is able to present a case study to peers and to receive and give feedback on a research design related to writing a final paper for the course.
  3. The student is able to write an academic paper, using literature from the course and beyond.
 
Character building: The student has gained a sensitive awareness of performance as a means of communication and as a way of meaning-making. This not only regards performances in the field of arts and ritual, but also gender as performance and religion as performance.


Specifics

The assessment procedure is two-fold: a written exam and a final paper.
Content

A performance is something done, something expressed; it means something, and it effects something. Both ritual and artistic performances use the body, the senses; they use symbols and imaginations to question, create and re-create culture. This course focuses on the performative character of rituals and the ritual dimension of performances.
In our exploration of ritual, performance and the body we give stage to several performances and rituals: the film Avatar, performances by Marina Abramovic, music by Joep Franssens, the game Bingo, video art by Bill Viola, commemorative rituals, online rituals etc. How do these performances and rituals impact on our bodies, how do they move the senses? In analyzing these performances and rituals, we will pay attention to several forms of ‘knowledge’: embodied knowledge through the performative impact, meaning-making through interpretation and ‘decoding’ of the symbolic language. Performances are not only an ‘expression’ of meaning, but also an ‘impression’ of meaning through the impact of sound, colors, light etc. For many, it is through the performative impact of art, performance and/or ritual that transcendence, sacrality or ‘the religious’ is experienced. In this course we will use insights from performance studies, ritual studies and religious studies.
 

Please mind: With less than 5 participants the course will be cancelled. 


 
Contact person
dr. M.J.M. Hoondert
Timetable information
Performance: Ritual, Art and the Body in digital culture
Required materials
Literature
R. Schechner, Performance Studies. An Introduction, New York/London: Routledge, second or third edition (2006/2013).
Recommended materials
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Tests
Written (50%)

Final Result

Paper (50%)

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